Our Story

Welcome to our journey, following Pan from a first vision of interculturalism - finding commonality and inspiration from the meetings of cultures - to a groundbreaking company using the arts for social change. Hundreds of projects, thousands of participants, hundreds of performances, and hundreds of thousands of spectators: these are all part of our story. We introduced the word 'intercultural' to arts in the UK and it is still at the heart of our work.
OUR HISTORY

Our story so far

Pan Intercultural Arts began with a simple but powerful idea: that the arts can be a tool for connection, healing and social change. Since the 1980s, we’ve grown into a leading organisation using creativity to support and empower young people from diverse backgrounds. Rooted in London’s multicultural communities, our work continues to evolve—reaching those who have experienced trauma, displacement or exclusion, and helping them find their voice, build confidence and imagine new possibilities for their future.

Explore the history of Pan

Pan Intercultural Arts began with a simple but powerful idea: that the arts can be a tool for connection, healing and social change. Since the 1980s, we’ve grown into a leading organisation using creativity to support and empower young people from diverse backgrounds. Rooted in London’s multicultural communities, our work continues to evolve—reaching those who have experienced trauma, displacement or exclusion, and helping them find their voice, build confidence and imagine new possibilities for their future.

By Decade

1986 - 1996

A black-and-white photo of a group of ten adults, men and women, standing closely together and smiling at the camera. Most are wearing coats and winter clothing, suggesting a cold day.
1986

Pan begins as an artists' collective based at the Commonwealth Institute and then at Goldmiths' College

Pan (initially known as the Pan Cultural Performance Project) is formed as a research unit by a group of like-minded performers out of workshops held at the Commonwealth Institute to look into the possibilities of drawing from multiple cultural traditions to create performance for a multi-racial society. The company begins a research residency at Goldsmiths’ College, London, funded by The Leverhulme Foundation

Founder Crew
John Martin, Sandra Reeves, Tim Jones, Ranjabati Sircar, Mala Sikka, Frances Shepherd, Nicholas Yanni, Gordon Case, Jacqui Chan, Da Wu Tang

Three people perform on stage in dramatic lighting; one kneels with hands clasped, another stands in costume, and a shadow is cast on the wall. The scene is black and white with strong contrasts.
1987

1st Intercultural Summer School in the Performing Arts (ISSPA) and "Dreams of Inanna"

First Intercultural Summer School in the Performing Arts (ISSPA) for young professional performers entitled “Music, Rhythm and the Performer”. Workshop leaders from India, Nigeria & China. Production “Dreams of Innana”, based on the legend of Gilgamesh, tours the U.K. Workshop and performance programmes delivered in India and Germany at the Internationale Theaterwerkstatt Scheersberg.

Early Members
Adrian Lee, Darryl Chan, Louisa Dell Nelson, Ian Halcrow, Kate Mackenzie, Wanjiru Gichigi, Peter Badejo, Mallika Sarabhai, Tiken Singh, Appu Vaz, Andy Channing, Wale Ojo, Ola Adeniran, Jamie McCarthy, Wendy Baxter, Josette Bushell-Mingo, Francine Luce, Joji Hirota, Louise Dunn, Jan Bee Brown, Patrick Selden, Toshi Tsuchitori, Gabriella Csanyi-Wills

A group of people in costume perform on a dimly lit wooden stage with simple set pieces, including doorways and a wall. Some stand while others sit, suggesting a dramatic scene in a theatre production.
1988 - 1999

"Under the Moon" based on the work
of W.B. Yeats

Production of “Under the Moon”, based on the Noh Theatre influenced plays of W.B. Yeats, at the ICA, Edinburgh Festival and on UK tour. ISSPA workshop in world mask forms with teachers from Indonesia, Japan, China and Zambia.

1989

“Ebo Iye - Ritual for Survival” with Peter Badejo

Production and UK tour of “Ebo Iye - Ritual for Survival” based on West African rituals and movement, choreographed by Peter Badejo who had been a workshop master teacher and moved to the UK.
A person with wide eyes wears a headpiece with loose strands and has white painted lines and shapes on their chest and shoulder, standing against a plain background.
1989

“Shakti - The Power of Woman” with Mallika Sarabhai

Production and UK tour of “Shakti - The Power of Woman” with Mallika Sarabhai. Pan organises the first Commonwealth Theatre Laboratory in Bhopal, India.
A woman in traditional Indian attire holds a white theatrical mask on a stick. She has short hair, wears a bindi, gold earrings, and is draped in a pink and blue sari, set against a dark background.
1990

"Sita's Daughters" with Darpana Academy

“Shakti-The Power of Woman” tours to India for British Council, “Sita’s Daughters” created in collaboration with Darpana Academy, India, tours India and the UK.
A man in traditional striped attire and a woman in a long, embroidered dress smile and gesture energetically against a white background.
1991

“Itan Kahani - the Story of Stories”

A new production “Itan Kahani - the Story of Stories” with Nigerian, Indian and British performers is toured in the UK. A second tour of “Ebo Iye” is also organised. “Shakti” tours Europe. The Second Commonwealth Theatre Laboratory is held in Kingston, Jamaica.

Story Trailers
Adwoa Dickson, Ajay Chabra, Andrew Peters, Kathryn Chan, Catherine Barlow, Bisi Adigun, Madeleine Bowyer

1992

Pan moves to Holborn Centre for Performing Arts

“Itan Kahani” tours to India, Portugal and West Africa. Barbadian dub poet Winston Farrell leads workshop in dub as a dramatic text. Pan Project moves to the Holborn Centre for Performing Arts.

A person in a strapless dress stands in dramatic lighting against a black background, with their head tilted and arms folded, creating a moody, artistic atmosphere.
1993

“Changing Planes"

New production commissioned from the feminist writer Suniti Namjoshi, “Kali Yug - The Circles of Paradise” tours the U.K. A second new production, “Changing Planes”, exploring developments in contemporary Indian dance, is toured in England and Europe.

Management and Administration in this period
Tim Tubbs, Terri Sayers, Shobna Gulati, Claire McRandal, Susie Gorgeous, Serena Robins, Peter Vlachos

Three men stand in front of a whiteboard in a classroom or workshop setting. One is speaking with his hands raised, whilst the others listen. Pipes, drums, and various equipment are visible in the background.
1994

The first "Pan Band"

The first Pan Band begins work with a community and world music workshop at the Holborn Centre. Centre. A promenade production “Story Trail” is devised for the Commonwealth Institute, London.
Josette Bushell-Mingo in Under The Moon
1995

“I have seen her through the Bamboo Screen” with Jacqui Chan. Pan creates its Community and Education Department

A new production, “I have seen her through the Bamboo Screen” with Jacqui Chan tours U.K. and Germany. A Festival is produced at the Bloomsbury Theatre, London “Chakra - Cycle of Indian Dance Theatre”, then tours the UK. Pan Project’s Community and Education Department is founded in order to develop the Pan Band, schools work and outreach programmes.

1996 - 2006

1996

“V for....”

“Bamboo Screen” is performed at the Oval House and Young Vic and continues on another UK tour. New production, “V for........”, previewed in India. “V for.....” and “Sita’s Daughters” tour in South Africa, Tanzania, Kenya and Zambia, with accompanying workshops and residencies.
Three people sit on stage playing drums in front of a sign that reads SOUND ROUTES. The person in the centre wears a patterned shirt and red socks, while the others hold different percussion instruments.
1997

"Pulling Down Babel!" and “Mirror Lore”. Arts for social change works starts with "KEEP THE PEACE"

British Council engages Pan to produce a new intercultural performance in Kenya "Pulling Down Babel!". Collaboration with Chinese Arts Link to produce “Mirror Lore” for the Dusseldorf Theatre and UK tour. New youth project in intercultural music forms the group Sound Routes. New initiatives include against race violence on housing estates with 80 young participants in KEEP THE PEACE, the forerunner of Weapon of Choice.

Early Modern Era Artists facilitating or performing
Mojisola Adebayo, Mita Banerjee-Pujara, Amanda Webb, Oludare Madasiru, Neil Craig, Katja Prudinsky, Faten Khoury, Jon Petter, Sam Zaman, Akram Khan, JC001, Larissa Litchfield, Paul Sadot, Rebecca Seymour, Pato Fuentes, Ansuman Biswas, Maria Ghoumrassi, Joel Bennett, Finbar Cahill, Kayleigh Doughty, Pratheepan, Poopalasingham, Gursen Hossein, Shabnam Shabazi, George Moustakas

1997

“From Morning Time to Moonshine Darling”. The "Global Moves Dance Project" begins

“From Morning Time to Moonshine Darling”, a story line around Jamaican folk songs created with Adwoa Dickson. GLOBAL MOVES DANCE PROJECT begins with Youth Dance Director Mita Banerjee.

1998

INTERFACE, the UK’s first Festival of Intercultural Performance

Pan curates INTERFACE, the UK’s first Festival of Intercultural Performing Arts celebrating new work emerging from multi-racial cities and communities around the world, with companies from South Africa, Holland, Canada, Belgium, Israel-Palestine and the USA and new talent from Britain and a major conference on the possibilities for such work in the next decade. Over 300 young people from across London take part in a three-month mass cross-cultural movement and dance project - GLOBAL MOVES. Phase 2 of “Keep The Peace” commences in Camden housing estates.

Several people perform on a dark stage, some holding sticks or poles, with one person kneeling in the foreground and others extending their arms or leaning forwards. The scene is dimly lit with a spotlight.
1999

STAMPEDE

Community music workshops and gamelan courses; a new Intercultural Summer School in dance and physical theatre – STAMPEDE. Exploratory visits to Israel/Palestine for the British Council to set up workshops for Palestinian performers. Preparation for Millipede, a mass youth performance in late 2000.
Four people, dressed casually, pose energetically and playfully in front of a white background with colourful markings, each extending their arms and legs in different directions as if dancing or having fun.
2000

MILLIPEDE and RACE 4 PEACE

MILLIPEDE; five hundred young people prepare performance pieces on migration for promenade production in collaboration with the Museum of London. RACE 4 PEACE youth project, devising satirical and comedy sketches, songs and raps for a project that culminates in a video available to schools.
2000

VIDYA and “IK2 The Myth of Myths”

VIDYA is established as a three-year programme to use performing arts in slum areas of Ahmedabad, India to raise the status of girl children in society. (It still exists!) “IK2 The Myth of Myths”, dance, storytelling and music, tours the UK.
2001

PANDEMONIUM and SIXTEEN WINDOWS

PANDEMONIUM – Pan’s performer-tutors and young participants develop their creative skills in residence culminating in a performance at Somerset House. SIXTEEN WINDOWS: performers from different dance traditions working together with artists from other disciplines.

Early Modern Era Artists (continuation)
Taku Mukiwa, Nalinda Premaratne, Ellie Rudd, Ian Solomon-Kawall, Angus Scott-Miller, Zephryn Taitte, Laura Cowan/McPartlin, Louise Mochia, David Fenton / Aks, Gurdeep Ubhie, Freddie Opoku-Addaie

Four people stand on a pavement wearing hooded jackets and white face masks. The background shows a street with buildings and sunlight casting shadows. The atmosphere appears casual.
2001

"Black & White" and "Burning"; ISRAEL-PALESTINE projects

ARTS AGAINST RACE VIOLENCE, now in its fifth year, produces ‘Black & White’ and ‘Burning’. VIDYA develops, as trainees become an independent and confident group to tackle the problems surrounding girl children in India, ISRAEL-PALESTINE project holds a mask & movement workshop.
2002

"Myths and Monsters" and "Guardians of the Deep". The FUTURE and FORTUNE projects begin.

MYTHS AND MONSTERS performs to over 1100 children in London. John Martin directs GUARDIANS OF THE DEEP for the Earth Summit in Cape Town and Johannesburg. Stampede 02 continues as part of Pan’s Easter Interdisciplinary Arts School. Work begins with the Medical Foundation for Victims of Torture, resulting in a short performance “The Wall”. FORTUNE and FORTUNE drama groups formed from these young refugees. Professional Development Grants are awarded to two of Pan’s artist-tutors to make performances. VIDYA achieves slum audiences of over 39,000.
Four teenage boys pose together indoors. One holds a vinyl record, another holds a microphone, and DJ equipment is visible. They smile and gesture playfully, creating a friendly, energetic atmosphere.
2003

"Silkwalk" based on the work of Alessadro Baricco and "F.U.R.I.O.U.S"

SILKWALK: a promenade performance in London’s Spitalfields about the many cultural threads involved in the area's silk trade, inspired by Alessandro Baricco's novella, Silk. It also intertwined this story with local history of the Spitalfields area and incorporated school performance into the final show. Fortune and Future perform at the Union Chapel in Refugee Week. THREADS OF SILK: young East Londoners perform their writing about local history. VIDYA is set up as independent Trust. Audiences reach 120,000. Pilot projects researched in Pakistan and Sri Lanka. F.U.R.I.O.U.S. music video filmed as part of the Arts Against Violence stream. PANACEA BIG WORKSHOP DAY at the Royal Festival Hall attended by over 5,000 for a free day of intercultural workshops.
2004

"Publish the Peace";

Pan’s Youth Dance Group, ‘Pandemonium’, hold an intensive dance residency in France. Storytelling workshops at the Hayward Gallery. Rose Bruford College hosts an Intercultural Symposium at which Pan presents a large exhibition and are keynote speakers. Pan publishes ‘THREADS OF SILK’, poetry written by children from Tower Hamlets with an exhibition which is toured around local schools. Arts Against Race Violence project ‘Publish The Peace’ commences workshops in dance and creative writing in The West Euston area. Pan runs gamelan workshops for local children at The Horniman Museum. Mita Banerjee performs extracts from ‘Silkwalk’ at The British Library’s show ‘The Silk Road’. Children from our Refugee group Future have an intensive week of workshops in ribbon dance, artworks and street dance at the Brady Centre. Pan provides the music for the launch of an initiative by The Stone Ashdown Foundation to unite British Jews and Arabs against racism at the Foreign Office ‘Aliph Aleph’. Research and Development workshops on Pan’s next production ‘Fugitive Pieces’ with performers from Nigeria, Jamaica and Palestine.

Management in this perdiod by:
Sabra Khan, Korina Miller, Ellie Stout (2006-10), Ama Atteen

2005
A Pan team is invited to train social workers in relief camps in Sri Lanka after the Indian Ocean tsunami. Three forum theatre plays are piloted for the Electoral Commission under the banner “Your Choice, Your Voice” in Secondary Schools, dealing with issues such as student fees, voting, local government and gun crime. John Martin and Mita Banerjee continue the Future and Fortune Groups, with new members engaged from the Medical Foundation. London-wide Anti-Racism project F.U.R.I.O.U.S., resulting in a performance and book publication of young people’s work, later distributed, with accompanying workshops, to ca. 5000 young people. Pan rebranded as Pan Intercultural Arts with design by Akiko Shishido. John Martin trains psychologists in refugee drama work in Geneva and Lausanne. This develops into the company Metis’Arte after follow up training The Future group exhibits work at The October Gallery.

2006 - 2016

2006

SINGING IS IT!, MIXED ROUTES, "FRAGMENTS OF FORTUNE"; PAN VISITS SRI-LANKA

SINGING IS IT! Pan collaborates with - Folias Cooperativa Sociale in Rome, Italy and Dorozkarnia in Warsaw, Poland - on an International Youth Exchange project taking singing and the voice as its starting point. Mixed Routes 1 at Rose Bruford College, short plays exploring the creative stimuli of performers who are of mixed heritage, Mojisola Adebayo, Adwoa Dickson and Nimmi Harisgama amongst others. Fortune performs “Fragments of Fortune” at Rose Bruford and then at Goldsmiths’ College. Mita Pujara performs Robi & Me. Further training in Sri Lanka with Save the Children. This methodology goes on to reach 150,000 people.

2nd Generation
Annabel Rook, Emmanuel Jal, Tess Butler, Debora Minà, Catherine Milne, George Moustakas

2007

"Asylum Road" and "Street songs"

Young adult Refugee group, Fortune, performed a play about the history of asylum and refuge in London. 'Asylum Road' was set in a shipping container and led the audience deeper into its steel shell for scenes of the Huguenots, the Sons of Africa, the Kindertransport and political exile. The audience ended up alone, locked in the container, experiencing for themselves the uncertainty of an unknown future. Mixed Routes 2 at Camden Peoples Theatre, continuing the research into people of mixed race and how they express their creativity. STREET SONGS The second phase of the project, Street Songs, saw the London group use creative writing and voice work to juxtapose the reality of their lives in London with that of the glossy tourist image of London. The resulting songs were performed at Tate Britain.
2008

"There Ain’t No Black In the Union Jack", Synergy Project and "The Colour of Love"

‘There Ain’t No Black In the Union Jack’, exploring Britishness, presented groups from across London exploring how youth feel about their multi-faceted identities. A year long process culminated in a week at Hackney Empire. One legacy of this project was the leadership and mentoring programme which developed nine young leaders, providing them with professional development and leadership skills. 2 of these founded the next phase - Weapon of Choice KICAR (KIDS IN CAMDEN AT RISK). Pan piloted our first project specifically aimed at integrating different groups of young people in Camden, working to tackle rising feelings of territorialism in the area in three youth centres for 6 months with young people in temporary housing, from junior youth exclusion units, refugee backgrounds and in foster care. The project not only integrated young people but also their siblings and families. This model was used to develop the Synergy Project. Fortune created ‘The Colour of Love’ a performance for the vaults of St Andrew’s church in Holborn and then in a marquee in Coram’s Fields, Is LOVE a positive or negative force? Does it lead to happiness or madness? A court case was enacted to bring Love to trial.

Management in this period by:
Lisa Solomine, Mel Anouf (2009-2021), Sue Murray(2011-2021)

2009

Eco-Thunder Kid; Panopticism; "Weapon of Choice" is chosen a name for a strand of Pan's projects

ECO THUNDER KID young refugee groups,Future (9-14yrs) and Feet First (5-8yrs), came together for an environmental creative project which produced Eco-Thunder Kid, a Superhero for the Camden area, inspired by participants' own desires to explore the world of Superheros and their concerns about waste and recycling. The resulting sculpture was displayed in London’s Russell Square Gardens and a cartoon strip based on the Superhero was created and published. ‘Panopticism’ a play that opened up the debate around gun and knife crime by young people, for young people. The piece toured schools, Pupil Referral Units, community centres and with sold-out audiences at the Unicorn Theatre and Hackney Empire. During the performance the audience is invited to watch a familiar scenario escalate to a negative end and then offer an alternative ending. Using ‘Choice’ as a ‘Weapon’, became the name of this new group, Weapon of Choice (WoC). The Synergy project starts bringing participants from many different disadvantaged groups together to explore their creativity. In Sri Lanka the Shakthi group formed by John Martin in the east of the country as the war there ends. Myanmar (Burma) Training of youth Workers following Cyclone Nargis. Leads to huge Theatre for Development project in the Delta region in 180 villages.
2010

The Amies project is born;. Act 2. “It Ain’t Working”

The AMIES project is born. Pan started a pilot project for 20 women who were all survivors of trafficking into domestic servitude or the sex trade with the Poppy Project, led by Annabel Rook and Adwoa Dickson. Pan publishes The Theatre for Development Handbook (Adebayo, Mehta, Martin). Further Training of the Shakthi Group in Sri Lanka. Sri-lankan trained facilitators start to develop new Shakthi companies acros the country. Act 2: in Geneva and London The Shakthi group from Sri Lanka takes part in a training programme for facilitators from conflict zones. This is followed by a conference in the International Red Cross HQ in Geneva and a tour of the group to London, organised with the British Council. Synergy performs “It Ain’t Working” at the Roundhouse in Camden.
2011

Synergy and Taste of Memory

SYNERGY is formed - a new project which enabled us to demonstrate the importance of addressing human needs such as confidence, communication, aspiration and understanding, alongside those of housing, employment and health, for our young people to have the best possible start on a positive life path. TASTE OF MEMORY - FORTUNE GROUP explored the stories, customs and the preparation of the food eaten by the many new groups of people who now live in our community. Young refugees of the Fortune group interviewed members of their communities, gathering information about foods which have come with them, investigating how those foods are re-created in the UK. This was worked into a performance where audience tasted the foods as they watched, an exhibition, a book and a website.
2012

Pan explores the rich heritage of Bloomsbury

As part of the Bloomsbury Festival, Pan's own Fortune and Future groups in conjunction with Coram and Coram's Fields Youth Centre creatively explored the rich heritage of Bloomsbury and in particular, its legacy and dedication to Human Rights and the Rights of the Child. The work created was showcased at the Bloomsbury Festival 2012. The Shakthi group in Sri Lanka expands to 6 groups across the country including one of former LTTE combatants.
2013

"Synergy Radio”; Pan funds Human Drama in Myanmar

Following the London Riots Pan receives Home Office funds to work in a local “hot spot”. Tess Oyediran leads workshops and residencies which lead to young people’s "Synergy Radio” broadcasts. Trainings in Pakistan & Sri Lanka to pass skills in working in conflict affected areas. Under the same “Finding A Voice” programme a consultancy visit takes place in Sudan and an exploratory visit to South Sudan to assess possible needs for training in post conflict theatre for development. Training in Myanmar of youth workers and NGO workers, leading to the foundation of the Human Drama company using Forum Theatre to work on issues of HIV/AIDS awareness and anti trafficking.

More recent arrivals
Sheyda O’Rang, E Alisigwe, Jovon Lennon, Bruno Correia, Ehireme Omoake, Joab Evans Campbell, Ruby Wild, Nichole Raif, Dean Douglas, Triziel Guthrie, Sami Berekat, Anna Tolputt, Homayra Bibi, Anna Samant, Francesca Ojefua

2014

The Amies Choir is formed and Future moves to Croydon

The Amies Choir is formed as a separate entity from Amies London, which continues its sessions. Weapon of Choice begins its programmes of school residencies in Pupil Referral Units (PRUs), exclusion units and the like, with a short sharing at the end of each 10-12 week residency. The WoC Theatre Group performs in Court No 1 at the Old Bailey. The Future group is redesigned to work solely with Unaccompanied Asylum Seeking Children and moves activities to Croydon. Further training with Human Drama group in Yangon to use Forum Theatre to tackle issues of access to Justice.

2015

Joint Enterprise film; Pan's Expansion Programmes begins

A new film outlining the law of Joint Enterprise through a typical young person’s story was written and directed by Zephryn Taitte. Launched at City Hall it led to thousands of young people seeing it and becoming aware of the consequences of the law. Pan’s Expansion programme begins; Amies Bristol is started leading to Amies Broadstairs. Theatre for Development training for South Sudan Theatre Organisation in Juba, South Sudan. First Old Bailey performance for the Amies Choir. “Panoramic”, an evening in which participants from all Pan’s ongoing projects came together for the first time and performed for each other and an invited audience.

Management in this period by:
Sue Murray, Shamuna Rahman (2014) Elisa Braglia (2015-2022)

2016 - Now

2016

"You are what you play"; Pan goes to Calais

Expansion: Weapon of Choice Birmingham begins in Oaklands Community Centre in Handsworth in collaboration with Birmingham City Council Youth Services. Expansion: Fortune Oxford begins in collaboration with Pegasus Theatre. Fortune developes ‘You Are What You Play’- a project, performance and website based on the similarities and differences of children’s games around the world, especially from the experiences of our young refugees. Find some of their incredible games here. Workshops with refugees in the “Jungle” refugee camp in Calais, France, at the invitation of Good Chance Theatre
2017

Pan donates theatre books to the South Sudan Theatre in Juba; Training of trainers

Pan organises a library of theatre books, donated by generous donors and publishers in the UK and ships it to the South Sudan Theatre Organisation in Juba as a public resource. Expansion work continues in Oxford, Broadstairs and Birmingham and training for Expansion facilitators takes place in London during the Rose Bruford International Symposium. Work with Horniman Museum on an exhibit for its new World Gallery.
A person wearing a black hoodie with the words WEAPON OF CHOICE printed in bold white letters on the back, facing away from the camera. Another person is blurred in the background.
2018

The Amies Alumnae Choir and the Weapon of Choice Theatre Group are born.

Amies Freedom Choir develops an alumnae group. It sings at BNP Paribas’ World Environment Day, Euromoney banking awards and the Tate Britain for the Turner Prize, as well as earlier performances at The Old Bailey and Kings Place. WoC trials an out-of-schools group to provide continuity and further training for those who have completed a residency, followed by new funding for a permanent provision. A new expansion project begins in Broadstairs for the Amies Choir to work with female survivors of trafficking Pan represented at a Refugee Theatre Festival in Bristol. The core work of Future, Fortune, Weapon of Choice and Amies continues throughout the year.
Three women and one young girl wear flower crowns and pose against a dark background; the women appear serious, while one woman affectionately kisses the smiling girl on the cheek.
2019

Pan starts working in Ipswich. The Guardian article

WoC expansion projects continue in Ipswich. The Weapon of Choice Theatre group starts a three year project funded by the Greater London Authority. The Guardian publishes an article about the Amies Freedom Choir: www.theguardian.com/global-dev…
2020

Sessions move onto Zoom, Pan manages to keep all projects in place

The Amies Freedom Choir performs at SouthBank centre for the WOW Festival on Women's Day. After the Guardian articles, Pan receives multiple interview requests from journalist and radio broadcasters. Shortly after that, Pan's projects move onto Zoom in response to the national lockdown due to the Covid pandemic; Pan manages to continue supporting participants in this difficult time. Pan appoints its first Company Manager. The Amies Freedom Choir wins a Women of Year Award for Community Spirit.
A group of people socialising indoors at a lively event or gathering, with some holding drinks and chatting near a bar or concession counter.
2021

Pan emerges from the lockdown

Pan slowly emerges from the lockdown, projects go back in person. The Amies Freedom Choir performs at Bloosmbury Festival. With the help of its Development Committee, Pan organises the first "Pan Talks", an annual event to celebrate the power of the arts to enable social change. The first event, Pan Talks: Film Night, featured short films from Guardian Documentaries.
A group of people, including adults and children, walk among sculpted stone pillars on a grassy area with trees and buildings in the background. Some are observing the sculptures, whilst others walk together.
2022

More participants take leadership roles

Pan's Chair Susanna Rook retires after 10 years, and Brian St Louis takes her place. Two ex participants join the Board of Trustees, while two other ex participants become Project Directors. Pan's pool of artists and project managers expand. The Amies Freedom Choir performs at Guildford Cathedral and at Battersea Arts Centre's WOW Festival. They also engage in their very first creative collaboration for Sirens, an audio-visual installation presented at the Freedom Festival, Hull. Weapon of Choice continues with renewed source of funding. WOC Expansion projects reach out to young people in Ipswich and Lewisham.

Current management team
Joanna Green, Chris Pethers, Mina Mcphee, Emmeline Holwell

New arrivals
Alesha Pryce, Vanesss Browne, Cat Foley, Nina Sedaghati, Fatouma Diallo, Rosa Luna Ricapa, Laura Casas Cambra

A woman with curly hair and a flower crown conducts two people on stage, both wearing flower crowns, as they face her with their backs to the camera. Dark seats are visible in the background.
2023

Fresh faces and awards

Adwoa Dickson speaks at a conference in Prague on 'The voice as an instrument of social change and of connecting the community.' Pan welcomes four new Trustees as Adam Bray, Lloyd Goldby, Alice Hu-Wagner and Maya Pierreux join the board. Two of the new trustees start work on the search for a new home for the charity. Funded by the British Council, John Martin visits Vietnam three times, first to scope and then deliver the 'Look Again' project which culminates in a mini-festival of forum theatre. The Amies Choir takes centre stage at 'Pan Talks' in an evening exploring the power of singing in a group. The Amies Freedom Choir is awarded the Youth Music Social Action Award while Sheyda O'Rang is one of the winners of the Pioneer20 Awards run by We Are the City. The Weapon of Choice project is funded by Cemex to run a 6-week pilot in Rugby and the Building Bridges project is undertaken at Newham College. Two former participants join the staff as trainee facilitators. A volunteer takes on a paid role with Amies.
Two women smiling and holding an award stand in front of a large digital screen displaying the ScottishPower Foundation logo.
2024

More public performances, more private development

Pan's Weapon of Choice Team wins the Education Award from  the Scottish Energy Foundation for its innovative approaches in Beachcroft Alternative Provision Academy.

After considerable research we pilot a project for Male Survivors of Trafficking, first with Old Diorama Arts Centre and then in the men's safehouse.

The Papillon Project successfully concludes, when government disperses Afghan families from their hotels, but the participants unanimously agree they are more ready because of the project.

International Women's Day is celebrated with the Amies Alumnae Choir the major act at London's Cadogan Hall.

The Weapon of Choice Theatre Group brings its devised production, "Loving You It's Complicated" to Theatre Peckham in South London

The Fortune Project moves to The Little Angel Theatre to perform a play created around the poems of one of the participants

The search for a new centre for Pan begins.

A new training project begins in Ho Chi Minh City to train leading educationists in the methodology and application of Forum Theatre.

Current management team
Joanna Green, Katherine Sharp, Mina Mcphee, Emmeline Holwell. (Savan Shah as maternity cover for Joanna Green)

New arrivals
Bruno Batista, Kavyan Yahyapour, Alicia Fox

2025

New Training possibilities, New Networking, New Building

The Weapon of Choice Theatre Group performs at Brixton House 

The Amies Freedom Choir performs twice at  Southwark Cathedral for Anti Slavery Awareness and on International Women's Day

Fortune uses PhotoVoice to explore coping and thriving for young refugees

Future doubles its participant numbers in Croydon

Bread and Bond is launched in Refugee Week to network charities in the sector to improve pathways to integration for newly arrived refugees

The Emerge programme begins a training of trainers programme for past and present participants from all projects to develop the skills of creative facilitation. A year of apprentice-style training will bring them to a level of employability in the sector

We start our 40th year with 40 cyclists and support team riding London to Brighton to raise thousands for our forthcoming new centre.

The search for a building where we will run the majority of our projects nears its end. Incredibly generous architects and builders plan for a wonderful safe space where our participants can develop. It will be an oasis in an increasingly hostile environment in society.

 

Current management team
John Martin, Joanna Green, Katherine Sharp, Emmeline Holwell, Kate Thompson, Kalifa Etienne. 

New arrivals
Twelve trainee artist-facilitators

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A bearded man in a white t-shirt stands in front of a white background with a bold red abstract shape and black outline behind him. He looks directly at the camera with a smile.

Dean Douglas

Facilitator

Once a troubled young person searching for direction, I found a sense of purpose through a drama workshop that changed my life. That experience opened my eyes to the power of creativity, expression, and community.

Inspired by how theatre helped me find my voice, I went on to train and develop as a drama facilitator, using performance and storytelling to help others explore their own potential and confidence.

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Taku Mukiwa

Taku Mukiwa works for the Terrence Higgins Trust's delivery of national HIV prevention social marketing campaigns. His responsibilities include managing the delivery of England's National HIV Prevention Programme, and HIV Prevention England.

Email Taku: [email protected]

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Sophie Froment

Sophie Froment is, and has been, a Human Resources/People Manager for many years. She has worked across a range of industries and has lived in France, Switzerland, Iceland and is now in the UK.

Sophie is delighted to join Pan as a Trustee because she is deeply inspired by Pan's mission. She is very impressed by the range and depth of Pan's activities because she firmly believes that the performing arts can truly change peoples' lives.

Email Sophie: [email protected]

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Sita Schutt

Sita Schutt is the director of Prospero World, a London-based charity promoting positive social change through community-based activity and public education and supporting philanthropy and NGOs.

Email Sita: [email protected]

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Melanie Hargreaves

Melanie Hargreaves has held media and public relations roles in the charity sector for 15 years, most recently leading the global media function for the Freedom Fund, which invests in frontline communities and movements to drive progress towards a world free of slavery. She previously worked at international development organisation, Christian Aid, where she covered on-the-ground humanitarian emergency response, as well as campaigns addressing global displacement and violence against women and girls. Melanie also led media relations at UK domestic charity, Hospice UK and prior to entering the charity sector, Melanie worked as a journalist for The Press Association (PA Media).

Email Melanie: [email protected]

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Maya Pierreux

Maya has worked in the corporate sector for many years, mainly in finance and financial communications. She has lived in Brussels, Leiden, Paris and London. Eight years ago, she moved to the charity sector, where she has been charge of building and growing Corporate Partnerships.

She is passionate about generating positive social impact and championing projects to help make a tangible difference. and is very impressed by Pan’s extensive work and ethos, and by how performing arts really can change people’s lives.

Email Maya : [email protected]

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Lloyd Goldby

Lloyd is the Global Property Director at Aesop. Prior to Aesop, Lloyd has held numerous senior roles in the Fashion and Real Estate sector, always having a clear focus on growing brands and reaching new global audiences.

In his spare time he enjoys gardening, long country walks and the theatre.

During the coming year, Lloyd's key focus will be to support Pan in securing a new permanent home within London.

Email Lloyd: [email protected]

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Jumoké Fashola

Jumoké Fashola is a radio broadcaster for BBC London, currently presenting 'Inspirit with Jumoké Fashola', on BBC Radio London. As such she brings knowledge of the media world. She is a professional singer, media trainer and keen supporter of youth issues.

Email Jumoké: [email protected]

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Heather Fokerd

Heather Fokerd is the director/owner of Lordship Consultancy Ltd, which provides financial services to schools. She became a chartered accountant after studying Business Management. Heather brings both financial and business acumen to the Board.

Email Heather: [email protected]

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Hatice Soyal

Hatice is an award-winning broadcast professional at NBC News who has covered major global events for over a decade. She has extensive experience in helping to produce long-form projects, breaking news and large-scale events, with her work spanning topics from war zones, terrorist attacks, and political elections to the Olympics, Royal Milestones, and Thanksgiving Parades.

Prior to her career in news, Hatice worked with NGOs, cultivating a passion for social justice and humanitarianism. Her advocacy for meaningful change aligns closely with Pan’s mission to empower marginalized communities through the arts. Hatice’s Turkish-Cypriot heritage gives her a her a deep understanding of Pan’s work and its importance in supporting those affected by hardship.

Hatice holds both BA and MA degrees from SOAS University and is proud to contribute to Pan’s remarkable mission and values.

Email Hatice: [email protected]

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Hannah Wengård

Hannah Wengård is a multidisciplinary artist, fundraiser, and project coordinator working across the arts and charity sectors. She leads on safeguarding and learning & development for one of MSF UK’s fundraising teams while freelancing in theatre, both on stage and screen. Passionate about creating trauma-informed spaces, she explores theatre, movement, and music in participatory arts. Hannah holds a BA in World Performance from East 15 Acting School (2022) and an MA in Global Creative and Cultural Industries from SOAS (2023).

Email Hannah: [email protected]

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Brian St. Louis KC

Brian is delighted to be the Chair of Pan's Board of Trustees after being a member of the board for over 14 years. He is a practising Barrister specialising in Criminal Law.

He regularly attends the theatre, live music venues and film events. "My love of the arts, coupled with my knowledge of people gained through my work, led me to join Pan"

Brian is convinced that the Arts can change lives. He hopes, along with all the Pan family, to continue the great work of his predecessors in championing the power of live performance, to explore cultural diversity and tolerance.

Email Brian: [email protected]

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Alice Hu Wagner

Alice is the UK MD for Icepay, an Amsterdam based payments fintech. Alice was previously at the British Business Bank, where she led strategy, economic analysis, product and business development from just after its founding in 2015 to 2021. She was involved there in supporting the UK life sciences, fintech, and creative sectors, as well as broader diversity and inclusion work. The BBB is the UK Government’s delivery arm for SME finance and the largest domestic institutional investor in UK venture capital.

Alice also spent 5 years at Barclays plc and Barclaycard, in corporate and data-driven strategy roles. Prior to that, she worked for Lloyds Banking Group in Cards and Prophet, a strategic marketing and brand consultancy. She began her career at McKinsey, latterly specialising in corporate finance and strategy.

Alice earned her undergraduate degrees from the University of Texas at Austin and her MBA from INSEAD in France. She is a dual US and UK citizen and a fluent Mandarin Chinese speaker.

Email Alice : [email protected]

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Adam Bray

Adam is a Director at Savills. He heads up the Place-Shaping team within London, helping deliver programmes of cultural activity at sites across the UK.

He is particularly active in areas of diversity & inclusion and community engagement with an interest in the ways in which the arts can be used as a means through which to connect audiences from diverse backgrounds. He enjoys helping shape environments which foster collaboration between people and communities and in understanding the ways in which people interact with the built environment in new, unexpected and creative ways.

Prior to Savills, Adam held leadership positions at property companies including WeWork and The Crown Estate. He also worked at English Heritage helping deliver major investment projects at historic visitor destinations including Dover Castle and Charles Darwin's home, Down House, in Kent.

Email Adam: [email protected]

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Abu Haron

One of our first past participants to become a trustee, he brings essential lived experience and knowledge to Pan's board, ensuring that Pan is always led with a participant first approach.
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Kalifa Etienne

Social Media Officer
Kalifa has a background in creativity, storytelling and community work. Kalifa has always been passionate about the arts especially theatre and music, and how they bring people together. At Pan, Kalifa combines their love for creativity with amplifying the voices of others, celebrating the brilliant work Pan's participants and artists do every day.
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Kate Thompson

Fundraiser

Kate is a Trusts & Foundations Fundraiser working in the Arts and Community sectors. She has built a career fundraising to widen access to the arts and culture and believes that everyone should be able to experience the positive difference that interaction with the arts can offer. "I am in awe of the amazing work that Pan does and am really excited that I can be part of this small but mighty team."

Kate is based in Sheffield and also fundraises for local organisations such as Music in the Round, Cast (Doncaster’s flagship theatre), Sheffield Futures and African Women’s Health Group.

She is also a choral conductor and voice specialist and never happier than when working with a singer to help them get the very best from their voice. She sings with a few local choirs and is a keen folk musician enjoying the vibrant folk scene of Sheffield whenever possible.

Email Kate: [email protected]

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Katherine Sharp

Head of Philanthropy

Katherine is an Arts Fundraiser and Theatre Practitioner. Her goal as a fundraiser is to ensure everyone has an equal opportunity to access the arts and its unique and life changing power. She has been an advocate of Pan’s work for some time now and is very excited and grateful to be part of this incredible team. Her role is to ensure all projects have the funds they need to deliver their necessary and life altering programmes.

She was previously a fundraiser at Sadler’s Wells Theatre, and has completed a Master’s Degree in Applied Theatre at the Royal Central School of Speech and Drama.She is also a Creative Practitioner at Haringey Shed Youth Theatre.

Email Katherine: [email protected]

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Emmeline Holwell

Operations Manager

Emmeline has worked in the administration and hospitality sectors for a decade, using her meticulous eye for detail and financial acumen to improve company processes and help places run more efficiently. She joined Pan as Administration Officer and swiftly became a centre of support for both our projects and office team, always on hand for the variety of tasks thrown her way, offering solutions and ideas to move forward with. She is thoroughly passionate about Pan providing the best possible experience for our participants.

Email Emmeline: [email protected]

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Joanna Green

Executive Director

Joanna brings over 14 years of experience in arts management, with previous roles at Somerset House, a regional theatre, and a puppetry festival. She currently serves as a trustee for Outside Edge Theatre Company.

Throughout her career, Joanna has driven impactful growth for the organisations she’s worked with. Notably, she built a network of 150+ volunteers for a regional theatre, enhanced large-scale public events with supplementary programming, and supported Pan to expand its activities by over 60%, doubling its turnover within three years.

Joanna is deeply passionate about the transformative power of creativity to connect, heal, and empower communities. Her work is rooted in a deep commitment to equity, disrupting power dynamics, and centering the voices of those the work is for.

Email Joanna: [email protected]

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John Martin

Artistic Direction

John is a founding member of Pan and has been the Artistic Director throughout its history. He is an actor, director, playwright, drama facilitator, writer and a university professor.

Originally a dancer and actor, he trained at Bristol University and the Ecole Jacques Lecoq in Paris. International work has taken him across the globe and he has led training sessions and directed plays in more than a dozen countries.

Founding Pan led him to concentrate on using the Arts for Social Change in a multi ethnic society and the success of this led to invitations by various NGOs to deliver programmes to aid the rehabilitation of people affected by war, natural disaster, social injustice and poverty in many countries.

“I regularly write and teach on issues around interculturalism, creativity, playfulness and theatre for development both in the UK and abroad. Luckily I have an eclectic bunch of inspired colleagues who all make Pan the special place that it is today.
The Arts can Change Lives!”

Email John: [email protected]

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Zephryn Taitte

Emerge Mentor

Zephryn Taitte, A gold arts award attainee and one of the co founders of Weapon of Choice now takes a back seat and marvels at the great work produced by the team. He looks forward to rejoining the team in a new capacity as a WOC trainee mentor.

In his early years he was selected by the British Council and Oval House theatre on a sponsored international trip for potential young leaders in the arts. Shortly after, in 2008, he worked with Pan as a participant and Young Leader in 'There Aint No Black In The Union Jack' at Hackney Empire.

He is a believer in performing arts being able to educate and inspire young people. There is a need in the community for greater opportunities for young people to express themselves in meaningful and creative ways, and so provide an alternative to some of the more negative behaviours teenagers can otherwise engage in.

You may also recognise him as Cyril Robinson from the BBC's Call the Midwife.

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Sheyda O'Rang

Emerge Mentor

Sheyda is a facilitator and the camera woman behind a lot of Pan's films and photos over the years. Joining Fortune she immediately felt at home and eagerly acted and wrote for the group in many productions. She rose to be a Project Director with Fortune and founded our project - Papillon - for newly arrived young Afghan Women who had been brought to the UK after the fall of Kabul.

"I have seen the beauty of my work through different lenses. Like my camera, I like to focus on making changes in our participants' lives and hopefully make their blurry vision of the new place that they have to call home a little more focused and clear I know in Pan this can be achieved."

She herself is an example of such an achievement and this was recognised by Visa when they awarded her as one of the twenty most important refugee women working for communities in Europe.

She is sometimes called "Hedgehog". It's just a Pan nickname with a long story behind it, but others know her as Sheyda or the participant that never left!

Email Sheyda: [email protected]

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Laura Casas Cambra

Facilitator

Laura is a pianist and an Artist Facilitator and Accompanist for the Amies Freedom Choirs.

One of the things she loves the most about Amies is how the sessions enable a unique space for connection, creativity, and mutual learning, where everyone can be equally valued and heard. From her first day , she has felt part of a very welcoming, safe, supportive, kind and empowering family - it’s truly special.

Her role not only involves music-making, but also contributing to growing as a group, building self-confidence, promoting connection and a sense of belonging, facilitating the space for everyone’s self-expression and supporting their path in exploring their own creativity - always so exciting and inspiring!

Email Laura: [email protected]

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Kavyan Yahyapour

Peer Facilitator
Kavyan - Kavi to us - arrives as a very keen participant in our Fortune Group. He just loves acting and worked with some other groups too and now has a place at London Metropolita University to study drama. He quickly asked if he could help facilitate sessions and he is a key member of Fortune and has branched out to facilitate sessions in our Future Group too.
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Francesca Ojefua

Facilitator
Francesca is one of our success stories of moving from participant to facilitator. She sang in the early days of the choir and loved it so much she stayed and helped develop the Amies projects as they have grown, where she is now a pillar of the group.
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E Alisigwe

Project Director

E is an actor and musician, releasing songs under the name “ Ezae”. He is the Project Director for Fortune, Pan's project working with young adult refugees and migrants and Project Director for Weapon of Choice's work in Bradby Youth Club. E was a participant in early Weapon of Choice days and has grown through the organisation be a great facilitator, leading workshops with young refugees and asylum seekers as well as for the Weapon of Choice programmes. He is also also a facilitator for Greenwich & Lewisham Young Peoples’ Theatre.

Email Emmanuel 'E' : [email protected]

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Ehireme Donaldford Omoaka

Project Director

Ehireme is the Project Director of the Weapon of Choice Theatre Project, a facilitator of the school residencies projects and the producer of the 'Pan Talks: Poetry Night' event.

He says :"I do this type of work because I want to give to the Pan participants what I never received when I was a young person. There are so many gaps that young people fall through and I'm doing my part to fill the voids that I can see in society. It's a passion!"

The WoC Theatre Projects and the WoC School Residencies projects do a plethora of things that improve the young peoples' lives. At the end of our projects young people notice an increase in their confidence. In addition, building their stage presence is a transferable skill that can be used with peers and adults. And finally, they start to believe that they can achieve whatever they want to! (Cliché, but true).

Ehireme is a performance poet and a published author of 'Points Of Contact' - a collection of poems highlighting experiences of young people and some of his own from adolescence to adulthood. The themes are; family dynamics, fatherhood, nature, the black experience and the relationship between the police and young black men.

"I like to use my skills of story telling and creative writing to support the work I do with the young people I work with."

Email Ehireme : [email protected]

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Bruno Das Neves Gomes Correia

Project Director

Bruno is an actor, musician and facilitator. He is the leading artist and Project Director for all Weapon of Choice’s work in alternative provision.

He is an experienced practitioner with a passion for making sure young people are heard. He’s deeply committed to working with young people that have been excluded from mainstream education. Bruno has led residencies in pupil referral units such as Beachcroft AP Academy and Camden Centre for Learning for over 5 years.

He was at the forefront of WoC’s first venture into school residencies and has delivered projects in Haverstock School, Hampstead School, Acland Burghley, Saint Gabriel’s College and several workshops in The UCL Academy, Highbury Grove School, Sacred Heart School and City Heights.

Bruno never gives up on young people and believes that they all have potential to be successful leaders. He combines youth work values and principles, artistic excellence and a belief in all young people in his practice. Young people and colleagues love working with him.

He has experience training young people to facilitate support groups and believes in giving meaningful responsibility and experience to young leaders.

Email Bruno : [email protected]

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Bruno Batista

Peer Facilitator
Bruno joined us in 2024 and works in the Amal project for male survivors of trafficking. His skills as an artist bring a new dimension to the work which has been very useful. Bruno also works as a facilitator at London's Saatchi Gallery.
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Brie Lucci Appleton

Peer Facilitator

Brie has a long association with Pan, having started as a work placement in our office. She then joined our WoC Theatre Group as a performer and also gained performance experience in other youth companies. Before long she was asking if she could learn facilitation skills and became a peer facilitator in WoC Theatre Project. And now she brings her skills to the WoC Residencies and to the Fortune Group.

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Alesha Pryce

Emerge Mentor
Alesha Pryce is a multidisciplinary artist, educator, and practitioner with over 15 years’ experience working across drama, acting, ceramics, and the visual arts. She has facilitated creative workshops and programmes in PRUs, alternative provisions, and charities, using the arts as a transformative tool for social impact and healing. Alesha’s practice is rooted in storytelling, community engagement, and reclaiming narratives through creativity and play. Her background spans theatre, film, and TV, and she recently completed a Master’s in Arts and Learning at Goldsmiths, University of London.
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Adwoa Dickson

Project Director

Adwoa joined Pan as an actor/story-teller in its early days and has been linked with it ever since. She was instrumental in the growth of the Fortune group of young adult refugees and this led to her involvement in our work with female Survivors of Human Trafficking, co-founding the Amies group. As this developed, her training as a singer came into play and she became the Project Director of the Amies Choir (now the Amies Freedom Choir) for female survivors of trafficking which has had great success both as a means to empower the women and as a joyous performing group. Adwoa is also the Project Director for Amies London, a drama group for female survivors of trafficking.

Adwoa also works as a professional singer, having sung with the Royal Opera House, Sadlers Wells, Pegasus Opera, Chineke Orchestra, Grand Union Orchestra amongst others. She is also a session singer for Voquality Singers and often does solo work exploring Jamaican/Caribbean music.

Of her work with the Amies Project Adwoa says:

“I like to help the participants I work with recognise and strive to fulfil their potential. In Pan's Amies programme participants grow in confidence and realise they don't have to "settle" for a life that has been prescribed by the adversity they have faced in their lives. They feel that they can move beyond expectations, and make friendships in a supportive environment that last for years. The Amies choirs, as well as performing already written repertoire, work together to create their own music and have recently been involved in composing vocal music strands for an installation at the Freedom Festival in Hull based around the "Sirens" from Greek mythology which had a fantastic response from the audience."

Email Adwoa: [email protected]